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„Fortunately múm does not play themselves to fore but see themselves – just like the piano players in the early times of silent film – as accompanying musicians. This works so well that one can imagine the 74 minutes as an album. The audience is of the same opinion – and applauds enthusiastically!“ (taz – die tageszeitung about the UM:LAUT shows in 2016)

The globally celebrated band múm plays a live score to a masterpiece of silent film: After their celebrated performances in the last two years, the Icelanders return to the stage of UM:LAUT right in time for Berlinale. Together with the percussionist Samuli Kosminen, the founding members of múm, Gunnar Örn Tynes and Örvar Smárason, perform live music to the wonderful classic movie „Menschen am Sonntag“ – a timeless and vivid portrait of Berlin and its young inhabitants by the end of the 1920s. The semi-documentary film, which is rarely screened these days, was already considered a milestone of cinema shortly after its release in 1930 and served as a springboard to Hollywood for a group of filmmakers around the young Billy Wilder. As a film score never existed, the screenings of the film were accompanied with songs by Marlene Dietrich in most cases. This is reason enough for the electronica and postrock explorers of múm dedicating themselves again to this document of history in the city of its creation – thereby also exclusively celebrating a record release at Radialsystem V: Our friends at the renowned indie label Morr Music publish a limited vinyl edition with live tracks of the previous UM:LAUT shows.

MÚM PLAYS „MENSCHEN AM SONNTAG“
Silent Film Concerts & Record Release
17 & 18 February 2017 | 20:00 | Radialsystem V
> Tickets are available now at Radialsystem’s box-office
> Online tickets (plus fees) are available here

Playful electronica, spheric ambient sounds, experimental indie pop: With their numerous albums and diverse projects crossing the boundaries of various musical genres, the internationally acclaimed band MÚM has never fit into prevalent categories. múm was founded by Gunnar Örn Tynes and Örvar Smárason in 1997, later joined by twin sisters Kristín Anna and Gyda Valtýsdóttir. Their original and unique sound as well as the playful experimentation with traditional, electronic and unconventional instruments has quickly turned the „possibly most original Icelandic band“ (ByteFM) into one of the most popular acts from far North. During the last years the former quartet from Reykjavík has merged into an open collective exploring the boundaries of experimental listening experiences with various musician friends and in unpredictably changing lineups. Besides seven albums, several EPs and singles on Morr Music and Fat Cat Records, they were involved in numerous collaborations and projects such as a score to the film „Battleship Potemkin“ by Sergei Eisenstein, music for the theatre piece „Blái hnötturinn“ by Andri Snær Magnason, or the much acclaimed orchestra composition „Drowning“ with pianist Hauschka and the MDR Sinfonieorchester. With SAMULI KOSMINEN, a musician who regularly joins the band on tour will be on stage for the two concerts at Radialsystem V. He is one of the most sought-after and adventurous percussionists and producers of Scandinavia. Besides his virtuosity and unique sound creations, his rare live performances are particularly striking due to his extensive array of tools comprising collected and found objects and instruments.

MENSCHEN AM SONNTAG (People on Sunday) is regarded as one of „the outstanding works of the German silent film avantgarde“ (The International Encyclopedia of Film). In a semi-documentary manner, the film depicts the lives of young people in the metropolis of Berlin by the end of the 1920s. Although the film falls into the final stage of the great era of German silent cinema, it is neither nostalgic nor old-fashioned, but – with its unconventional and surprising images of people, locations and atmospheres, which are captured in a documentary style – it appears more like a protest against the beaten tracks of the old narrative cinema. Apart from a few well-known protagonists such as the modern dancer Valeska Gert, the film replaces star actors and practised movements with amateur actors and a fresh, spontaneous way of acting. The still undestroyed scenery of Berlin, its people, its streets, the Grunewald Forest, and the Havel River serve both as setting and as supernumeraries – in „Menschen am Sonntag“, not much is happening, but its charming, honest and slightly ironic observation of the capital city in a summery weekend atmosphere make the film a vivid, entertaining and timeless document. For the then very young filmmakers, the film, which was created in partly chaotic and precarious production conditions, was both an adventure and a springboard – with Billy Wilder winning several Oscars in his career to come. The history of its creation makes the film one of the first independent films and a forerunner of the neorealism of the Postwar Era.

An event by UM:LAUT at Radialsystem V. With kind support by the Embassy of Iceland and the Finnish Music Foundation.
Photos 1 &2 © Jacob Hansen / Photo 3 © Deutsche Kinemathek.

Bugge Wesseltoft © Markus Werner | UM:LAUT

Two extraordinary live musicians with a shared passion for experimentation and club music: The Norwegian pianist Bugge Wesseltoft, a pioneer of electronic jazz, joins forces with the renowned drummer and producer Christian Prommer for an exclusive live session at the mighty hall of Radialsystem V. With openness and curiosity this special duo creates an electro-acoustic musical blend between jazz, funk, ambient, and groovy house music. Bugge Wesseltoft, who is considered the trailblazer of the young Nordic jazz generation and one of the most innovative pianists of today, and Christian Prommer, known for his collaboration with artists such as DJ Hell, Henrik Schwarz or Tony Allen, play together for the very first time in Germany: An interplay in the experimental spectrum between classical and electronic instrumentation and a unique live project fusing the musical biographies and manifold qualities of its protagonists – without the corset of a predetermined course, open for unexpected developments, spontaneity and the impulses of each other.

BUGGE WESSELTOFT & CHRISTIAN PROMMER
German Premiere
08 August 2017 | 20:00 | Radialsystem V
Tickets are available now at Radialsystem’s box-office (22 €) and online (plus fees)!

© Christian
Prommer

The Norwegian Bugge Wesseltoft is regarded as one of the most innovative jazz pianists of today. Since the 1990s, Wesseltoft has collaborated with numerous important figures of the Nordic and international jazz world like Jan Garbarek, Terje Rypdal, Jon Christensen, Nils Petter Molvaer, and Arild Andersen, as well as with stylistically quite different artists such as the drummer Billy Cobham, the Brazilian pop star Gilberto Gil or the techno legend Laurent Garnier. With his „New Conception of Jazz“ he aims at a synthesis of live electronics and the means of improvised jazz – his debut album of the same name, on which he integrates elements from priligy kaufen deep house, ambient music, drum’n’bass as well as from soul and funk, is considered as ground-breaking since its release in 1996 until today. Wesseltoft has played on countless stages around the world and released more than 15 albums, just recently with the Norwegian classical violinist and viola player Henning Kraggerud and with the successful techno producer Henrik Schwarz and Dan Berglund, bassist of e.s.t. With his label Jazzland he has created a platform for the Norwegian scene with artistic freedom beyond mainstream.

Influenced by jazz, funk and soul, but also house, Detroit techno and electronica, Christian Prommer constantly explores new musical ground beyond traditional genre boundaries. With his various projects and collaborations, he has been one of the most prestigious drummers, producers and DJs for more than two decades. Apart from coining the label „nu jazz“ with Fauna Flash in the 1990s, he has repeatedly experimented in the field between club music and jazz – be it as founding member of the Trüby Trio and Voom:Voom, or as author and producer for artists such as Kruder & Dorfmeister and DJ Hell. In addition he has collaborated with musicians like Carl Craig, Tony Allen, Till Brönner, Mousse T, Wolfgang Haffner, Klaus Doldinger, Henrik Schwarz, Johannes Brecht, or Solomun, and has been invited as live musician and DJ to renowned clubs and festivals such as Sonar in Barcelona, World Wide Festival in Singapur, Crossover Jazz Festival in Tokyo, North Sea Jazz Festival in Rotterdam, and Montreux Jazz Festival. In 2007 he started his project „Drumlesson“ with an instrumental jazz version of Derrick May’s Detroit techno hymn „Strings of Life,“ which ended up being an international club hit. For ten years, he has performed live with his „Drumlessons“ and alternating outstanding guest musicians, thereby combining his jazz roots with his passion for electronic club music. Prommer has released a large number of albums and singles on various renowned labels, he has been nominated for the Echo and received the German Record Critics‘ Award.

Mum at UM:LAUT © Markus Werner

© Markus Werner | UM:LAUT

We are very happy to welcome back the globally celebrated band múm to play a live score to a masterpiece of silent film: After their celebrated silent film concerts in 2016 and our co-presentation at Copenhagen’s CPH PIX, the Icelanders return to the stage of UM:LAUT right in time for Berlinale film festival on 11 and 12 February. Together with the percussionist Samuli Kosminen, the founding members of múm, Gunnar Örn Tynes and Örvar Smárason, perform a live score to „Menschen am Sonntag“ as a trio.

The semi-documentary film, which is rarely screened these days, was already considered a milestone of cinema shortly after its release in 1930 – and also served as a springboard to Hollywood for its makers Billy Wilder, Edgar Ulmer, Fred Zinnemann, and the Siodmak brothers. For this classic, a vivid portrait of Berlin and its young inhabitants by the end of the 1920s, a film score never existed. In most cases the screenings of the film were accompanied with songs by Marlene Dietrich. Therefore it is high time the electronica and postrock explorers of múm dedicate themselves again to this contemporary document in the city of its creation in the frame of two unique concert evenings on the shores of the Spree River!

MÚM PLAYS „MENSCHEN AM SONNTAG“
Silent Film Concerts
11 & 12 February 2017 | 20:00 | Radialsystem V
Tickets are available now at Radialsystem’s box-office (20 €) and online (plus fees)!

© Jacob Hansen | CPH PIX

© Jacob Hansen | CPH PIX

Playful electronica, spheric ambient sounds, experimental indie pop: With their numerous albums and diverse projects crossing the boundaries of various musical genres, the globally celebrated band múm has never fit into prevalent categories. The band was founded by Gunnar Örn Tynes and Örvar Smárason in 1997, later joined by twin sisters Kristín Anna and Gyda Valtýsdóttir. Their original and unique sound as well as the playful experimentation with traditional, electronic and unconventional instruments has quickly turned the band into one of the most popular acts from far North. During the last years the former quartet from Reykjavík has merged into an open collective exploring the boundaries of experimental listening experiences with various musician friends and in unpredictably changing lineups. Besides seven albums, several EPs and singles on Morr Music and Fat Cat Records, they were involved in numerous collaborations and projects such as a score to the film „Battleship Potemkin“ by Sergei Eisenstein, music for the theatre piece „Blái hnötturinn“ by Andri Snær Magnason, or the much acclaimed orchestra composition „Drowning“ with pianist Hauschka and the MDR Sinfonieorchester. With Samuli Kosminen, a musician who regularly joins the band on tour will be on stage for the two concerts at Radialsystem V. He is one of the most sought-after and adventurous percussionists and producers of Scandinavia. Besides his virtuosity and unique sound creations, his rare live performances are particularly striking due to his extensive array of tools comprising collected and found objects and instruments.

© Deutsche Kinemathek

© Deutsche Kinemathek

Menschen am Sonntag (People on Sunday) is regarded as one of „the outstanding works of the German silent film avantgarde“ (The International Encyclopedia of Film). In a semi-documentary manner, the film depicts the lives of young people in the metropolis of Berlin by the end of the 1920s. Although the film falls into the final stage of the great era of German silent cinema, it is neither nostalgic nor old-fashioned, but – with its unconventional and surprising images of people, locations and atmospheres, which are captured in a documentary style – it appears more like a protest against the beaten tracks of the old narrative cinema. Apart from a few well-known protagonists such as the modern dancer Valeska Gert, the film replaces star actors and practised movements with amateur actors and a fresh, spontaneous way of acting. The still undestroyed scenery of Berlin, its people, its streets, the Grunewald Forest, and the Havel River serve both as setting and as supernumeraries – in „Menschen am Sonntag“, not much is happening, but its charming, honest and slightly ironic observation of the capital city in a summery weekend atmosphere make the film a vivid, entertaining and timeless document. For the then very young filmmakers, the film, which was created in partly chaotic and precarious production conditions, was both an adventure and a springboard – with Billy Wilder winning several Oscars in his career to come. The history of its creation makes the film one of the first independent films and a forerunner of the neorealism of the Postwar Era.

Empathy_Carys Staton © Tonje Thilesen

What makes humans different from other beings? What influences us to empathise with others in certain situations? Inspired by the research of Simon Baron-Cohen („Zero Degrees of Empathy“), the London-based performance collective Neon Dance explores the human capacity of empathy in its latest production in musical and scenic form.

For the series of UM:LAUT, „Empathy“ will be realised for the first time as interdisciplinary live music version: In a set design created with light and laser technique, five dancers encounter an extraordinary ensemble consisting of the sound wizards Casper Clausen and Mads Brauer of Efterklang and Liima, the multi-instrumentalist Shahzad Ismaily from New York and the Icelandic cellist Gyða Valtýsdóttir of Múm.

EMPATHY
Neon Dance with Mads Brauer, Casper Clausen, Shahzad Ismaily & Gyða Valtýsdóttir
10 & 11 December | 20:00 | Radialsystem V
Tickets are available now at Radialsystem’s box-office (20 €) and online (plus fees)

Empathy © Tonje Thilesen

Neon Dance is an interdisciplinary dance company from London which develops and realises productions for the stage as well as for film and other media. The company was founded in 2003 and is directed by the choreographer Adrienne Hart. The group regularly collaborates with artists from diverse disciplines. The dance production „Falling From Trees“, created in 2010 with music by the multi-instrumentalist Peter Broderick, was presented at Glastonbury Festival, with Broderick’s soundtrack being successfully released through the label Erased Tapes. In collaboration with the duo SpringerParker from Berlin, Neon Dance developed the dance opera „There Are Places In Our Heads One Can Travel To“, which celebated its premiere in Norway at Barents Spektakel Festival. With „Archived’it“, the collective developed an interactive online project in 2012, which allows the users to rearrange their own version of the dance film „Dance on Steps“ from 1934 to a soundtrack by the Icelandic composer Ólafur Arnalds. Together with UM:LAUT, Neon Dance realised the unique live music version of the dance production „The Intention“ with the acclaimed pianist Nils Frahm and the cellist Anne Müller on the stage of Radialsystem V in 2013.

Empathy © Oliver Holms

Mads Brauer and Casper Clausen are founding members of the internationally successful band Efterklang, with which they released four albums (4AD, The Leaf Label) since 2000. The band has played 400 concerts in more than 30 countries, often supported by numerous guest musicians, and has realised various concert projects with symphony orchestras, an opera and diverse film projects. Beyond, Clausen and Brauer are – together with Rasmus Stolberg and the Finnish percussionist Tatu Rönkkö – active with the band project Liima, have co-founded the online radio station The Lake and curate the annual By The Lake festival in Berlin-Weissensee. The composer and multi-instrumentalist Shahzad Ismaily from New York is involved in various bands and projects and has collaborated with artists such as Lou Reed, Laurie Anderson, Marc Ribot, Colin Stetson, Bonnie Prince Billy and many more. The son of Pakistani immigrants to the US graduated with a Masters in biochemistry and has concerned himself with diverse music cultures on trips to India, Mexico, Japan, Indonesia, Morocco, Iceland and many other countries. The Icelandic cellist Gyða Valtýsdóttir started her career with the internationally celebrated indie pop band Múm. Since finishing her studies in Reykjavik and Basel, she has been active in diverse bands and projects worldwide. She moves vividly between music realms, composing, performing and recording with various musician and artists such as Josephine Foster, Julian Sartorius, Aaron and Bryce Dessner, A Winged Victory for the Sullen, Efterklang, Guy Maddin, Ragnar Kjartansson and many others.

Empathy_Casper Clausen © Alexander Schneider

UM:LAUT partners

 

Almost five years after his first visit to the stage of UM:LAUT and after numerous sold-out concerts around the globe, the acclaimed pianist and producer Nils Frahm returns to Radialsystem V. With his unique musical concept and his multi-faceted meandering between modern classical, electronica and pop, his concerts have been celebrated at various occasions such as Montreux Jazz Festival as well as at Melt! or Roskilde Festival. After winning the German Film Prize for his soundtrack of the Berlinale blockbuster „Victoria“, scoring a short film with Robert De Niro and releasing several albums in the last year, he now presents his latest project: Together with Frederic Gmeiner and Sebastian Singwald he celebrates the record release concert of his band Nonkeen in the frame of the UM:LAUT series. The first recordings and experiments of the three childhood friends date back to their schooldays – decades later the renowned label R&S Records releases the trio’s debut album. We are very happy and proud to set the frame for this special occasion – looking forward to some wonderful evenings!

Nonkeen
Record Release Concerts | Support: Andrea Belfi
16 & 17 April | 20:00 | Radialsystem V
Tickets available now at Radialsystem’s box-office and online!

Nonkeen’s „The Gamble“ is the result of a long band history and a series of coincidences. Nils Frahm and Frederic Gmeiner already discovered their common interest in audio-recordings at primary school in Hamburg. They produced their own radio show, in which they mixed schoolyard noises, teachers‘ voices and their own sound experiments with children instruments and recorded them on tape. In the summer of 1989, East German schoolboy Sebastian Singwald spent two weeks at Frahm and Gmeiner’s school during an exchange. He arrived with his own shabby tape recorder, which immediately intrigued Frahm and Gmeiner and brought the three boys together. The friends continued to stay in touch and put together tracks from children’s songs, radio music and improvised pieces by playing or covering and then remixing them. After the Berlin Wall came down, the trio played several concerts in Berlin before the band’s career abruptly came to a halt in 1997. Over one decade later Gmeiner, Frahm and Singwald met again in Berlin and started making music together again at irregular intervals. Just like in the old days, they recorded long experimental sessions on their tape machines, adding parts to some of their childhood recordings and sampling others. The band refused to practise songs, or record multiple takes, in order to reshape or improve them – meaning only first takes were acceptable. Out of these singular attempts only a few actually made it to tape. Chance became a constant band member: Due to the unreliability of the cheap recording devices they employed, no one knew how things would sound in the end. Just as a picture taken to film maintains its secrets until it is developed, recordings were „double-exposed“, or, by chance, a tape would play back in reverse mode. Beyond, devices whose motors were pitched up and down also brought other fantastic sounds to life – sounds that were previously unheard or unthinkable. From time to time, the band isolated their favourite passages in Frahm’s studio and continued to use them for processing or overdubbing. The tapes were then recycled for fresh sessions. In the course of this organic process over eight years, an album with unexpected sounds and eclectic electro-acoustic improvisation adventures had grown – making „The Gamble“ an album „which sounds both of spontaneity and stylistic ambiguity in the best of all senses“ (Groove).

 

 

 

 

 

 

 

 

 

 

 


Playful electronica, spheric ambient sounds, experimental indie pop: With their numerous albums and diverse projects crossing the boundaries of various musical genres, the globally celebrated band múm has never fit into prevalent categories. On 13 and 14 February, the Icelanders return to Berlin as a trio in order to present a special silent film concert in the context of the series of UM:LAUT: Together with the percussionist Samuli Kosminen, the founding members of múm, Gunnar Örn Tynes and Örvar Smárason, perform an improvised live score to „People on Sunday“, a masterpiece of silent film at Radialsystem V. We are excited!

The semi-documentary film, which is rarely screened these days, was already considered a milestone of cinema shortly after its release in 1930 – and also served as a springboard to Hollywood for its makers Billy Wilder, Edgar Ulmer, Fred Zinnemann and the Siodmak brothers. For this classic, a vivid portrait of Berlin and its young inhabitants by the end of the 1920s, a film score never existed. In most cases the screenings of the film were accompanied with songs by Marlene Dietrich. Therefore it is high time the electronica and post-rock explorers of múm dedicate themselves to this contemporary document in the city of its creation in the frame of two unique concert evenings on the shores of the Spree River!

UM:LAUT X Jetztmusik Festival present
múm plays „Menschen am Sonntag“ –
silent film concert
13 & 14 February | 20:00 | Radialsystem V
Tickets are available now at Radialsystem’s box-office and online!

 

 

 

 

 

 

 

 

 

 

 

 

múm, „possibly the most original Icelandic band“ (ByteFM), was founded by Gunnar Örn Tynes and Örvar Smárason in 1997, later joined by twin sisters Kristín Anna and Gyða Valtýsdóttir. Their original and unique sound as well as the playful experimentation with traditional, electronic and unconventional instruments has quickly turned the band into one of the most popular acts from far North. During the last years the former quartet from Reykjavík has merged into an open collective exploring the boundaries of experimental listening experiences with various musician friends and in unpredictably changing lineups. Besides seven albums, several EPs and singles on Morr Music and Fat Cat Records, they were involved in numerous collaborations and projects such as a score to the film „Battleship Potemkin“ by Sergei Eisenstein, music for the theatre piece „Blái hnötturinn“ by Andri Snær Magnason, or the recent and much acclaimed orchestra composition „Drowning“ with pianist Hauschka and the MDR Sinfonieorchester. With Samuli Kosminen, a musician who regularly joins the band on tour will be on stage for the two concerts at Radialsystem V. He is one of the most sought-after and adventurous percussionists and producers of Scandinavia. Besides his virtuosity and unique sound creations, his rare live performances are particularly striking due to his extensive array of tools comprising collected and found objects and instruments.

 

 

 

 

 

 

 

 

 

 

 

People on Sunday is regarded as one of „the outstanding works of the German silent film avantgarde“ (The International Encyclopedia of Film). In a semi-documentary manner, the film depicts the lives of young people in the metropolis of Berlin by the end of the 1920s. Although the film falls into the final stage of the great era of German silent cinema, it is neither nostalgic nor old-fashioned, but – with its unconventional and surprising images of people, locations and atmospheres, which are captured in a documentary style – it appears more like a protest against the beaten tracks of the old narrative cinema. Apart from a few well-known protagonists such as the modern dancer Valeska Gert, the film replaces star actors and practised movements with amateur actors and a fresh, spontaneous way of acting. The still undestroyed scenery of Berlin, its people, its streets, the Grunewald Forest, and the Havel River serve both as setting and as supernumeraries – in „People on Sunday“, not much is happening, but its charming, honest and slightly ironic observation of the capital city in a summery weekend atmosphere make the film a vivid, entertaining and timeless document. For the then very young filmmakers, the film, which was created in partly chaotic and precarious production conditions, was both an adventure and a springboard – with Billy Wilder winning several Oscars in his career to come. The history of its creation makes the film one of the first independent films and a forerunner of the neorealism of the Postwar Era.

We are happy to present the two silent film concerts in cooperation with Jetztmusik Festival Mannheim. The annual festival has become a major cultural event in the region of Mannheim and beyond since its first edition in 2007 – with electronic music encountering film, literature or fine arts in extraordinary formats and in diverse locations. Following an evening curated by UM:LAUT in Mannheim, this project marks a continuation of the cooperation between our series in Berlin and the Jetztmusik Festival.

 

 

 

 

 

 

 

 

Masters at work: With the celebrated experimental pianist Hauschka, the Finnish percussion wizard Samuli Kosminen and the cellist Jeffrey Zeigler, former member of the legendary Kronos Quartet, UM:LAUT brings three exceptional and internationally renowned musicians to its stage for their first concerts ever in Germany. Entirely based on free improvisation and the exploration of space with sound and rhythm, this unique live project fuses the musical biographies and manifold qualities of its protagonists – without the corset of a pre-defined genre, open for unexpected developments, experiments and spontaneous impulses. Hauschka Kosminen Zeigler celebrated their debut at the festival River to River in New York in 2013, with Feast of Music describing it as „a transporting, ecstatic experience.“

Hauschka Kosminen Zeigler
Improvisation Sessions – German Premiere
12 & 13 September | 20:00 | Radialsystem V
Tickets available now at Radialsystem’s box-office and online!

Wooden sticks, pieces of felt, tape strips, table-tennis balls – with great inventiveness and various everyday objects, the pianist and composer Volker Bertelmann alias Hauschka creates an unexpected world of sounds with the piano. He is regarded as one of the most remarkable modern proponents of the prepared piano. The percussive or rustling sounds, which make one assume the usage of percussions and electronic devices, give the atmospherically dense, rhythm-based compositions of the Düsseldorf-based artist a lyrical quality. Hauschka’s music moves between sound art and experimental, modern classical and chamber music, electronica and pop – with his last solo records „Salon des Amateurs“ and „Abandoned City“ even broadening his spectrum to minimal techno and house. Some of his fourteen albums (Universal/Deutsche Grammophon, City Slang, FatCat a.o.) were also created in collaboration with other musicians. During the last years, he recorded an album with the exceptional American violinist Hilary Hahn, composed music for Döris Dörrie’s film “Glück” and launched a new live project with the renowned techno DJ Henrik Schwarz at Muziekgebouw in Amsterdam. Apart from performing world-wide as solo artist at concerts and festivals, Hauschka recently wrote compositions as artist in residence for the MDR symphony orchestra in Leipzig.

UM:LAUT - Hauschka - Radialsystem - Prepared Piano - Berlin

Samuli Kosminen is one of the most sought-after and adventurous percussionists and producers of Scandinavia. Besides his virtuosity and unique sound creations, his rare live performances are particularly striking due to his extensive array of tools comprising collected and found objects and instruments. Kosminen has contributed to more than 80 albums, composed music for theatre and film and collaborated with artists such as Ólafur Elíasson, Kronos Quartet, Emiliana Torrini, Jónsi Birgisson of Sigur Rós, or Pekka Kuusisto. Beyond, he regularly plays live with the Finnish star accordionist Kimmo Pohjonen – the duo’s project „Uniko“ with the renowned Kronos Quartet was presented live in numerous countries. Kosminen is also part of the successful Icelandic band múm and regularly plays live with them on tour.

The New York Times describes Jeffrey Zeigler’s playing of the cello as „excellent“ and praises the „unforced simplicity and beauty of tone“ of the American, who was a member of the legendary and award-winning Kronos Quartet until 2013. The innovative and internationally acclaimed ensemble from San Francisco has worked with renowned composers such Arvo Pärt, Steve Reich or Philip Glass as well as with musicians from various backgrounds – thereby „influencing the contemporary paradigm of chamber music more profoundly than any composer or musician ever before“ (laut.de). Jeffrey Zeigler has played thousands of concerts world-wide, premiered more than 200 works and contributed to more than twenty albums on different labels. Amongst others, he can be heard on Norah Jones’ album „Not too late“ as well as in the soundtracks of Paolo Sorrentino’s Oscar-winning „La Grande Bellezza“ and Darren Aronofsky’s fantasy epic „The Fountain“. In 2014 Zeigler released his solo album „Something of Life“, which also contains pieces composed especially for him by Philip Glass, Glenn Kotche and John Zorn.

 

Get yourself prepared for Denovali’s next visit to the capital! Once again we team up with the great label from Essen, which has made its mark in the last ten years with unique and ambitious releases. On the heels of the successful cooperation of the last two years, we invite you to experience a special two-day festival with finest experimental and electronic music at Radialsystem V. On 13 & 14 June we will present renowned international artists such as Forest Swords, Nils Petter Molvaer and Moritz von Oswald, our favourite Denovali acts plus young and upcoming musicians from all around Europe and beyond.

Denovali Festival Berlin | 13 June | Radialsystem V
Nils Petter Molvaer & Moritz von Oswald | Hidden Orchestra | Ricardo Donoso | Poppy Ackroyd

Denovali Festival Berlin | 14 June | Radialsystem V
Forest Swords | Floex | Ah! Kosmos | Witxes

Tickets available now at Radialsystem V, Koka36 and online!

The first evening of the festival sees a fusion of a special sort: The Norwegian trumpet player and renowned jazz producer Nils Petter Molvaer encounters the techno and dub legend Moritz von Oswald. Meandering between cineastic-spherical and minimalist moments, the musical symbiosis of two individualists and visionary artists creates unique soundscapes. „Somewhere between jazz, ambient, avantgarde, and club: fantastically unconventional music…“ (Die Zeit). After its celebrated first visit to the stage of UM:LAUT in 2013, Hidden Orchestra from Edinburgh returns to Berlin: Band leader Joe Acheson and drummer Jamie Graham present their live remix set at RADIALSYSTEM V. The Brazilian composer, percussionist and electronic producer Ricardo Donoso can be experienced live for the first time in Berlin in the frame of the Denovali Festival: His mystical and gloomy sound sculptures are inspired by both contemporary composition as well as drone, techno and noise. Poppy Ackroyd, classically trained pianist and violinist, has already collaborated with musicians and artists from various fields. The delicately woven rhythms and atmospherical melodies of her two solo albums have – apart from some field recordings – completely come into being through Ackroyd’s exceptionally curious and unconventional playing of the piano and violin.

Music which combines heavy dub rhythms, rolling hip hop beats, field recordings and ghostly R&B vocals in a very facinating and original way: Every good musical „best of“ list in 2013 included the epic debut album „Engravings“ by Forest Swords. On the second evening of Denovali Festival Berlin, the Liverpudlian plays his only German concert during this summer. The Czech clarinetist, producer and multimedia artist Floex brings together influences from nu-jazz, electronica and contemporary classical music – his albums and soundtracks have been awarded with numerous prices, and his installations can be experienced at renowned festival like Ars Electronica. Joined by a second clarinetist, vocals and drums, Floex brings his dense, partly complex, partly groovy sound to the stage of UM:LAUT for the first time. Ah! Kosmos is the alias of the Istanbul-based electronic music producer and musician Başak Günak who presented her debut EP „Flesh“ at acclaimed festivals world-wide. In April, Denovali Records releases her first self-produced album „Bastards“ which she presents for the first time in Berlin with the guitarist Övünc Dan and the visual artist Gizem Aksu. With his monicker Witxes, the French Maxime Vavasseur creates his multilayered sound experiments somewhere between ambient, dark jazz, drone and minimal. In a live set, he combines his electronic and acoustic instruments and skillfully alternates between improvisation and passionate sound studies.

Space for experiments and special adventures: We are very happy to bring together two internationally acclaimed musicians from two different spheres to meet on stage for the first time ever. In an evening with two parts and two premieres, acoustic instruments encounter live electronics, and experimental music can be experienced in an interplay with exclusive visuals.

The British composer and pianist Tom Hodge, who has been a guest at UM:LAUT for two times already with Piano Interrupted, has been collaborating with the successful electronic music producer Max Cooper since 2013. On the two-parts EP „Fragmented Self“, the two musicians create a sound alternating between organic warmth and electronic precision, between melancholy and deconstruction. In Berlin, Tom and Max realise their collaboration for the first time ever in a live form and present an improvised interpretation of „Fragmented Self“ as well as new tracks in between modern classical, ambient, glitch, minimal, and techno.

In the second part of the evening, UM:LAUT presents the German premiere of Max Cooper’s audio-visual performance „Emergence“: an extraordinary solo show with live electronics and live visuals, in which the renowned producer and biologist with a doctor’s degree combines his musical and graphical but also his experimental and scientific interests in one artistic concept. „Emergence“ had its very successful debut at the Decibel Experimental Music Festival in Seattle and can be experienced live in the frame of an exclusive tour in London, Paris and Amsterdam – and in the series of UM:LAUT at Radialsystem on 6 March!

Max Cooper & Tom Hodge
Fragmented Self: Live Premiere and Record Release Concert
Emergence: German Premiere
6 March | 20:00 | Radialsystem Berlin
Tickets available now at Radialsystem, Koka36 and online!

 

 

 

 

 

 

 

 

 

 

 

Soul, jazz and electronic music as well as classical and minimal music are equal sources of inspiration for Tom Hodge. His musical versatility and curiosity make the Briton a composer much sought-after for film, dance and theatre productions. Amongst others, Hodge composed the music for the production „Waiting Room“ of the Thüringer Staatsballett and the choreographer Silvana Schröder. Beyond, the pianist has become known for his musical projects with which he congenially crosses borders. With Piano Interrupted, he explores the field between classical minimalism and club-oriented electronica. The duo has been on the stage of UM:LAUT already twice and published two albums on Denovali Records. With his interpretation of Daft Punk’s „Aerodynamic“ for strings and electronics, Hodge even contributed a hit to the legendary „Ministry of Sound Compilation“ in 2009. Together with Max Cooper, he already published the EPs „Fragmented Self I & II“ on Fields. Besides the first live realisation of their collaboration, they are also planning another EP for spring 2015.

 

 

 

 

 

 

 

 

 

 

 

The London-based producer Max Cooper is considered one of the major talents originating from the electronic scene in the course of the last years. His distinctive musical style is connected to both a long tradition of pioneers and the ambition to explore new territory with each new release. Cooper was born in Belfast in 1980 and has already been active as a DJ and producer since 1999. Simultaneous to his first release in 2007, he finished his dissertation in the field of genetics and evolution. After a few years in genetic research he opted for music as his main profession and has become an artist fascinating with the balancing act between the complexity and clinical precision as well as between the immediate catchiness and emotionality of his productions. Besides numerous releases on various labels and his album „Human“, which appeared in 2014 and was critically acclaimed by journalists and audiences alike, he is known for his collaborations with a wide range of artists such as Portishead, Hot Chip, Michael Nyman, Ólafur Arnalds, or Nils Frahm. As live act, Cooper is a guest worldwide in clubs and at renowned festivals like Mutek, the Igloofest in Montreal or the Awakenings Festival in Holland. Also known as a video artist and celebrated internationally for his audio-visual shows, his current live project „Emergence“ had its premiere at the Decibel Experimental Music Festival in Seattle in September 2014 and can be experienced live at UM:LAUT for the first time in Germany.

 

 

 

 

 

 

 

Melodies, beats and the desire to surprise… We are happy and proud to welcome three outstanding and renowned artists for another special UM:LAUT event exploring the hybrid sphere between electronica and acoustic music!

With jazz pianist Bugge Wesseltoft, producer and composer Henrik Schwarz and the bassist Dan Berglund, three musicians, who are each considered masters of innovative improvisation in their individual fields, join forces in our series at Radialsystem on 2 November. With openness and curiosity the three of them create an electro-acoustic musical blend between jazz, funk, ambient and groovy house music. The Norwegian Bugge Wesseltoft, a pioneer in electronic jazz, and Dan Berglund, bassist for the legendary Esbjörn Svensson Trio, assume the lead for the melody while the electronica mastermind Henrik Schwarz captures the ideas and phrases, manipulating and alienating the sounds, providing the other two musicians with new impulses. It is the search for intersections and the spaces in between, the interaction in the experimental spectrum from classic to electronic instrumentation, between composition and improvisation, club and concert hall. In the series of UM:LAUT, the trio can be heard live for the first time in Berlin – their album „Trialogue“ will be released in September by Universal Music.

We are looking forward and want to invite you to enjoy a unique live experience at the mighty hall of Radialsystem on 2 November!

Bugge Wesseltoft, Henrik Schwarz & Dan Berglund
Trialogue | Record Release Concert
2 November | 20:00 | Radialsystem Berlin
Tickets available now at Radialsystem, Koka36 or online!

The Norwegian Bugge Wesseltoft is considered the trailblazer of the young Nordic jazz generation and one of the most innovative jazz pianists of today. Since the 90’s, Wesseltoft has worked together with numerous stars from the Nordic and international jazz scene, such as Jan Garbarek, Terje Rypdal, Jon Christensen, and Arild Andersen but also with artists with completely different musical stylings such as the drummer Billy Cobham, the Brasilian popstar Gilberto Gil or techno legend Laurent Garnier. With his „New Conception of Jazz“ he aspires to create a synthesis out of live electronica and elements of improvised jazz – his 1996 eponymous debut album, in which he integrates elements of deep house, ambient music, drum’n’bass, soul and funk into his mix, is still considered today as groundbreaking. With his label Jazzland he has created a platform for the Norwegian scene, which enables artistic freedom outside mainstream.

Henrik Schwarz is amongst the most sought-after producers of electronic dance music worldwide. His musical influences span from deep house and Detroit techno, all the way to hip hop and rare groove to jazz, soul and funk. Schwarz is considered one of the most multifaceted artists of the electronic scene – he has composed for film and ballet, and has released numerous albums and singles under various labels. For collaborations, productions and remixes he has worked together with the likes of Michael Jackson, Boy George, The Foals, Ane Brun, Raoul Midon, DJ Hell, Fritz Kalkbrenner and many more. For various projects he has been a guest on stages, in clubs and at renowned festivals all over the world.

The Swedish-born Dan Berglund is known worldwide as the bassist for the highly successful Esbjörn Svensson Trio (e.s.t.). Up until 2008, together with e.s.t., one of the most influential jazz bands of the last decade, he recorded numerous albums and performed in international tours and festivals. Apart from the characteristic warmth and the round and full tones of his playing, Berglund’s trademark consists of his use of countless effects. With his own band, Tonbruket founded in 2009, he created a distinct sound between jazz, psychedelic rock and neo-folk. The group’s debut album won a Swedish Grammy award.